Archive for the 'Macedonia' Category

The Last Homely House

Holy man and holy priest,
This love of life makes me weak at my knees,
And when we get there make your play,
‘Cos soon I feel you’re gonna carry us away.
In a promised lie you made us believe.
For many men there is so much grief,
And my mind is proud, but it aches with rage,
And if I live too long I’m afraid I’ll die.

—The Kinks, “Strangers”

Of the British in Arabia, T.E. Lawrence saw two types: “Class one; subtle and insinuating, caught the characteristics of the people about him, their speech, their conventions of thought, almost their manner… In such a frictionless habit of influence his own nature lay hid, unnoticed.”

“Class two,” he continues, “the John Bull of the books, became more rampantly English the longer he was away from England. He invented an Old Country for himself, a home of all remembered virtues, so splendid in the distance that , on return, he often found reality a sad falling off and withdrew his muddled self into fractious advocacy of the good old times. Abroad, through his armoured certainty, he was a rounded sample of our traits.”

I hover in Lawrence’s first category — as much as I can without a shared language — but even Lawrence, under that bloom of the desert, must digress to reminisce over England’s dreary skies; and there is something about Oregon which experience abroad brings into focus. It was developed so late in the history of American and human migration, by hands experienced in the craft of civilization or at least with a Midwestern model, and linked to a greater nation, so that it has cities without the need for a fully supportive agriculture. You can drive an hour from the center of Portland and find yourself not in farms but rainforest. It’s special: not better, just different: and because I was born there Oregon’s peculiarities will always be, in my mind, Home.

I had finished reading Lawrence of Arabia’s Seven Pillars of Wisdom, and his depiction of the Bedouin, who consider it effeminate to carry food on journeys of only 100 miles, and who ride for days with maybe a few hours of rest under their cloaks in a sandy hole, made me feel like a wimp for my presumptuous daily requirement of a shower and a bed. This in mind, I took a bus east to Prilep in mountainous Pelagonia to seek something more ascetic.

An Irishman told me about the little Macedonian town and the Monastery of Treskavec in the hills above, where, if you are willing to hike up to it, you can stay for free. Before leaving, not wanting to carry food, I gorged myself cheaply at a Macedonian restaurant, where random pointing yielded a Scopsco beer, a salad of tomatoes and cucumber, and a Macedonian pljeskavica, which is a large hamburger patty with cheese melted in the center, served with chili-paprika powder and a spicy chili-pepper fried in oil.

A taxi took me through the Roma gypsy slums until the paved road bled into dirt, and halfway to Dabnica I set off into the eastern foothills of Mount Zlato on foot. I toiled up an old pathway — here ruggedly paved with stones from the hill, here a sand track, and here just parallel ruts running and intersecting, as if the trail were losing a war of attrition with erosion — into the scrubby highland, and sometimes lost myself in the big clusters of smoothed stones that emerged from the hill like barnacles, or when the trail crossed an expanse of unbroken rock. The track became more verdant near the crest, thick with bushes and pines around the sparse springs, eternal in that land of seasons: cold winters, melting springs, dry summers, and humid autumns.

At the top, along the mountain’s long, hogbacked spine, which twisted south toward Prilep, were three high pillars of corrugated rock painted sea-green with moss, and wedged between two of these, the monastery. The trail passes around one pillar, called the Lion’s Head for its animalian face and regal mane of stone, where at a crossroads is a post with signs for the capitals of the world (10,500 kilometers to Los Angeles, 2000 to London, where I started my journey, and 9500 to Tokyo, where I intend to finish), and then winds up past a walled vegetable garden to the front door.

The monastery’s six wings are shaped like a G, with the domed roofs of the chapel encircled within: an old building with colorful frescoes but no lights, yet exploring the darkened corners with a candle makes them more mystical and alien. Once the priest was sermonizing from his high pulpit when a Turkish assassin tried to shoot him. The rifle missed, despite the close range, and crippled a wooden pigeon carved on the front of the pulpit, which still bears one wing. The rifle barrel hangs over the pulpit, and the body of the infidel Turk, turned to stone, can be seen under an eve in the inner wall of the narthex. The monks of Treskavec suffered further attacks, and found themselves massacred when they would not grant entrance to the Christian wife of a Turkish Bey. Repopulated after the liberation, but burned in 1990, there is now only one monk to tend the remote site — but I’ll get to that.

Travelers enter the monastery from the west side through a door in a tower that divides two two-storied wings. The outer wall is stone, and sheer on the eastern facade where it drops into a crevice; the inside white plaster and darkly-stained wood. On the southern side the building opens and leaves only a stone fence shrouded in grape vines. Because the wings are dissimilar in height and unevenly placed on the hillside, stairs connect the wide wooden balconies to one another. Doorways lead to kitchens and Spartan rooms, with metal beds piled with blankets on the dusty wood floors and pictures of Christ and the Saints on the wall. Each room has a wood-burning stove, and the chimneys turret the red-tiled roof.

Through small windows or lattices of glass, the inner wall faces the chapel in a courtyard of stone only drizzled with overgrowth, where there stands an oak, and under the oak a chained St. Bernard — defender of travelers — named Bruno, who defends the gate with a full third of Cerberus’ fury. A scratch on the neck renders the sentinel docile as a pup, but until then he barks savagely at all comers, including Father Sofrajni, the quirky proprietor and sole resident monk, in the beard and black robe of the order. He mildly asks no payment of his guests, who nonetheless feel obliged to leave donations in the chapel. The other lodgers were a motley crew of pilgrims, escape artists, and Dutch travelers. One was a Macedonian night club manager, bored with the daily similitude of drink, women, and planning events, who came to the monastery regularly, seeking mental clarity in its serene solitude. This time he sold his Honda, since the policia were after him.

In the archaic kitchen I met two Dutch families, traveling together, who did not so much invite me to eat with them as simply serve me food, with wine bought from the monastery. A French girl named Selene and her two Macedonian companions, Boris and Irana, got caught up in unflinching Hollander hospitality as well, and we scoured the dishes when through. It was dark after dinner, so I walked outside the monastery to look around. On the plain below glittered eddies and currents amid a sea of shadows; above, the white of the Milky Way. Something shone in the grass: bending close I saw a little crescent cocoon, lighted neon green at the tip like a Christmas tree light, and marked more in the lawn and under the rocks. It would have been silent if not for Dutch revelry, which persisted in spite of sobriety and parenthood, without losing any of its graces.

The next morning I went out to the Lion’s Head with Selene, Boris, Irana, and two urchins living in the monastery. Although one of them was in a cast to her elbow, we managed to climb up the south side of the Lion’s face to the rocky summit, not the highest point of Mount Zlato, but close. I saw Dabnica in a dale to the east; Krushevo in the crook of a ridge to the west, the highest town in the Balkans, where the locals threw rocks at the Turks after they ran out of bullets; and across the scoliotic spine of Zlato, six miles as the bird flies, the white and red expanse of Prilep. Looking north over the monastery I saw a red cross with letters underneath. Once the full slogan stated, “We are Tito’s, and Tito is ours,” but weather erased it down to the existential claim, “We are.” Climbing down the lion was more unsettling than climbing up.

We went into the chapel and looked over the cartoons. In the narthex were six brass stands, with one dish at the top and another half-way up filled with sand for candles. To pray for someone, you take a candle for each person — and many buy bundles — and deposit it lighted in the top tier if you pray for the living, or in the lower if you pray for the dead. An attendant comes around regularly to remove the low-burning prayers and put them in a bucket to be melted down in the candle factory that exists below each Orthodox chapel, made into new petitions, and recycled to the chapel for the next batch of pilgrims to burn. This makes the Orthodox candles either the holiest of wax or the filthiest of supplications, being marked and erased with as many names as a blackboard in a history classroom, so that even St. Peter might have trouble reading such transmissions.

At around 1, we started walking south along the ridge, a different and more consistent path than I had taken up. In some places we had to climb up or down steep rock faces by rope cables bolted to the stone, and at the end, after a steady descent, we marched back up some switchbacks to the Towers of Marko. According to the legend, the 14th century Serbian Prince Marko, who crossed lakes in a step, who wielded against the Turks a great Heraclean mace bigger than anything Braveheart could heft, who chose to die when guns were invented, that Prince Marko desired towers, and since all the men of Prilep were off fighting, he sent the women and children up the hill to haul stone until they perished of exhaustion. The walls and towers are still there, but bigger by far is a great fifty-foot metal cross that lights up at night.

On the way back to town, we passed another Macedonian monument: a twenty-foot rock which looks like an elephant from one side and a pterodactyl from the other. This is no small thing in Prilep. A construction crew busied about the final mortared shingles of a pathway around the rock, to a little circle of benched stones, taking care not to mess up the lights that illuminate the pachyderm at dusk. Beyond the town started, streets lined with racks of drying tobacco leaves to be sold to cigarette companies.

The 7:30 train to Skopje was another old workhorse with Hogwarts Express compartments and a restaurant car, which took almost three hours to travel the 120 kilometers as it stopped at every small town and in some random clearings. I wanted to take another train to Sofia, but unfortunately the track is incomplete, even after 20 years of mishandled construction. (The Balkans are like California in this respect and in others: elected celebrity leaders who seem an international punchline, anachronistic prejudice against and discrimination of minorities, IOU’s as state policy, asphalt cities that add 20 degrees to the temperature, and where is the Los Angeles to Las Vegas express? It’s taken as long to build as a railway in ex-Soviet countries). Anyway, I said goodbye to my friends at the station and went to get an overnight bus.

Under Another Argead Sun

So where are you going to? I don’t mind.
If I live too long I’m afraid I’ll die.
So I will follow you wherever you go,
If your offered hand is still open to me.
Strangers on this road we are on,
We are not two, we are one.

—The Kinks, “Strangers”

The Greeks insist on calling this country the Former Yugoslavia Republic of Macedonia, or Fyrom, being covetous of the name of their northernmost province, the birthplace of Alexander and a Byzantine fatherland. So jealous are they that they barred the Fyromites from using the old sixteen-pointed star of the Argead House on their national flag, and which instead bears an Oriental sun with eight rays.

The train to Skopje was an old one with cabins of six seats, packed with Macedonians, or with Serbs on their way further north to the Exit Festival in Novi Sad, Serbia, which attracts the same zealous pilgrims as Coachella. The track left the drained marshes of the south, ragged with grassy thickets, for the dry, yellowed plains in Northern Macedonia, and followed the muddy River Axios, bloated by unseasonable rain, until it crossed the border and became the Vardar, driving under and between curdled marble crags among the wooded Paionian hills.

I arrived in the Escape From New York-themed train station, under a steel quilt of cloud that reminded me of home after the bright skies of the Aegean. I had thought coming in that the city looked green, but it was really just overgrown, most of it run-down and ill-cared for, the Soviet architecture made to emphasize the sameness of the oppressed. In the center, the Macedonians tore down these monuments to evened ambition, and erected a few European blocks around cobblestone streets and squares. A stone footbridge crossed the Vardar into the narrow alleys of the Albanian quarter under the walls of the Citadel, and beyond that was a busy Turkish market.

I stayed in the Hostel-Hostel, one of the small, family-owned lodgings where everyone knows eachother, and where a strange community would have developed if Skopje had more magnetism to keep impetuous travelers occupied. Every morning until noon they put out a huge breakfast — bread and butter and jam, sliced tomatoes and cucumbers, loaves of feta cheese, hard-boiled eggs, coffee and tea — and every night at six served vegetable soup from a big stock pot.

Outside the brightly-painted single story stood two tents on platforms carpeted with Astroturf worn bald, with walls of hung tarps that opened onto the dirty yard like the reception tents of some hippy Sheikh of Araby. They held couches and cushioned lawn chairs around wood tables splattered with paint, under the faceted spheres of disco lamps.

There I sat with three Brits, a long-haired German on his state-mandated service excursion, a pretty Dutch girl, and a wordly young couple: Joanna from Slovakia, and Etienne, a Frenchman from the Pyrenees, born in a pair of skis, who was learning Slovak so they could share some secret language other than English. We played Uno with some strange new rule added each round by the German until no one could remember them all, but we had to rely on a collective prosecution, the law parceled among eight judges and colored toward longevity by self-interest.

A while after the increasingly-polemic game ended, two Bulgarians stumbled into the yard from the Carlos Santana concert, held concurrently with the Patti Smith one, and sat down among the four remnants of Uno, to argue over a nearly-depleted bottle of Famous Grouse. “Please man, give me some,” begged the skinny Bulgar. The fat one remarked casually, “It’s very soft, I don’t like soft whisky.” “So don’t drink it, please!”

Their names were Ocho and Kamon. They were both vegetarians and martial artists, and both had their long hair in ponytails, but lanky Ocho played the guitar, and fat Kamon the flute. “Our instruments are like women,” said Ocho. “We need to take them everywhere.”

Kamon lit a cigarette. “I quit smoking five years ago, but today is special day. It is Santana Day.”

“If I were woman, I would fuck Santana,” said Ocho dreamily.

Kamon studied his friend closely, and objected: “I don’t think you are pretty enough for Santana.”

Ocho waved around the empty water bottle, and Kamon said, “You get it.” “Let’s play the game: stone, paper, sheesers.” “No.” “Come on man!” “You’re closer!”

Ocho yielded and went off to get water, and then left again to retrieve their instruments from the car, which pealed in alarm at his drunken attempts to open the door. Finally they began the concert, for a French, German, Dutch, and American audience. Ocho’s fingers tore clumsily at complex chords, which turned wavy, clunky, and fervently harsh, accompanied by an erratic pounding on the guitar, a soft and almost wordless song, and by Kamon’s modest flute.

The next morning the sky thundered and poured, so I stayed under the tent to enjoy it. Nothing much was happening in Skopje, but it was Saturday night, so after exploring the town I drank with a few Brits and later with some Czechs, who had brought their own plum brandy in a plastic water bottle.

Neither Santana nor Patti Smith interested me, but when I saw a poster for a performance by Ennio Morricone (and after I verified that the great Italian composer was still alive, and it was not some posthumous tribute), I took a bus to Ohrid, site of the Ohrid Summer Festival, which Morricone’s symphony ushered in.

The concert was held in an ancient Roman theater, installed in a hillside, with white Turkish buildings layered behind, and then the lake, ringed with hills that turned hazy in the distance, a dark blue line between the light blue of lake and sky.

I avoided the €40 ticket price by sitting on the grass behind the highest seats of the amphitheater among the massed bodies of the plebeian audience, but showed up early enough to get a good seat, since my clock was still on Greek time and one hour ahead. Below in the stands sat the Balkan elite and the Presidents of Macedonia, Albania, and Kosovo. The Macedonian premier, Dr. Gjorge Ivanov, gave an awkward proclamation from a notecard calling Ohrid an ancient seat of art lovers and declaring, on the Hour of the Dragon when Alexander was born, the forty-day Festival open.

The choir and orchestra preceeded the conductor, and also torch-bearers: a priest in cloth-of-gold and a dozen Roman legionaries with girls in white on their arm. Then came Ennio, 80-years-old and frail and mild with genius; short, but not one of those diminutive men who compensate for a poverty of stature with outstanding activity. He seemed coiled and compressed energy, with a nobility of control over his musical passion.

His band played suites from The Untouchables and The Good The Bad & The Ugly. A woman in trailing red came out to howl the Ecstasy of Gold, and Ennio, an incorrigible Latin gentleman, kissed her hand and walked her off the stage before returning to conduct the militant marches of The Battle of Algiers and the contemplative melodies of Cinema Paradiso.

The Mission followed, led by a woman who played Gabriel’s Oboe with full-bodied gyrations like a snake charmer. She returned for one of the three encores. Ennio also played the Ecstasy of Gold and the Untouchables one more time. There were fireworks, and everyone filed home. Men whistled the songs of the Guarini and tuned their chattering teeth into themes, for it had grown chilly.

I stayed in the Sunny Beach Hostel, up on the cobblestoned slope of Ohrid, between buildings like stone fortresses on the ground floor and white stucco on all upper levels, which jut out over the street incrementally. I found it with only a little help from the locals.

“Where are you going? You need direction? Oh, the hostel. Do you have a reservation? Well it is full. Come, I have rooms for rent, they are very nice. It is like hostel: there is Russian there. Hey wait! Where you from? America! I was in New Jersey once. Hey stop, let me show you the room! I have picture here. Hey!”

Macedonians are stern not as giddy or playful as the Greeks. They don’t respond to goading with the same vapid rage, nor are they experts at the art of verbal harassment. They are as proud of Macedonia’s ancient exploits as the lowlanders, and indignant over their greedy theft, yet very different from the ancient nation: wedged between Albania, Greece, Turkey, Bulgaria, and Serbia, in cartography, language, and culture. Sun-baked as Bedouin they are, but with the girth of hearty highland meals. They play the Balkan bagpipes and flutes and drums, and live music generally means a few old folk tunes accompanied by a Casio. Pizza comes on edible plates of ice cream cone waffle, and is drizzled with ketchup and mayonnaise.

The day after the concert, I walked around and liked what I saw. Ohrid was small and cheap and ancient, with many new and lively places, and many old and quiet ones, and was ringed with mountains and forests that kept it cool. The Anatolian heartland and Syrian steppe would be intolerably hot until September, so I had no reason to hurry. I declared I would stay a while, and turned contentedly lazy: reading and writing and thinking, eating and drinking, walking and hiking and swimming in the lake, with hostelers or locals or in solitude.

Once upon a time in Montenegro, a Macedonian named Lemon told me to come in high summer to his bar in Ohrid, called the Cafe Nemo, and to ask for him. He told me, “You will get laid ever-ee night. Ever-ee night.” With such promise, how could I refuse?

I went to the bar Tuesday with two Hollanders and an Australian, but Lemon, who they called a regular, was not there, nor was he on Friday’s attempt, made alongside one gang of the English rockers who had poured into Ohrid by the dozen in the wake of Exit Festival and sprinted immediately to a store to get beer before the 7 o’clock prohibition cast all aspiring drunks to the bars.

Their Southern English language, unfettered by attempts to make it intelligible to foreigners, was a marvel of slang and dialect, something stereotypical and Hollywood. “I’m gonna jet,” they would say, and “It was fair cheap.” “Those blokes are from North London so watch out, they’ll nick your stuff. Nah, only joking, they seem like posh chaps.” I learned the difference between a yob and a zoot and felt much enlightened.

We ordered rakia and did not realize that we were supposed to sip from the tumblers, or want to, raki being the foulest drink. It tastes like it has three times as much alcohol as it really does. We quaffed it quickly, and two of the Brits were violently and immediately ill there in the corner of the Jazz Inn.

The inmates of the familial hostelry were ninety per-cent English, with an insular Dutch couple, three extrovert Swedes, and the occasional Irishman and Australian mixed in for good measure, along with the Macedonian staff. While trying to figure a card game for four of us, one which could be played with one deck of cards and was simple enough for drunks, I astonished the Swedes by describing Egyptian Ratscrew, which was known by that name to natives of England and to the Swedes as Club the Seal. Swedish rules only differed slightly: The pile was not immediately yours on slapping a pair of cards, but had to be won from other claimants in a vilent grabbing contest.

Daylight hours were much more comfortable: “sublime uneventfulness”. I discovered beyond St Jovan Kaneo a cove called Labino on the cool, clear water of the lake where, at the bottom of a dusty stair, plum trees shade a narrow and rocky strand, less crowded and more peaceful than the other beaches by its remote virtue, with stones perfect for skipping. With Ivanhoe and a few beers, it was like Paradise. At night the sun set over Albania and sprawled a gradient across the firmament: lined amber, lavender, and azure, yielding steadily before eastern star-strewn black.

Saturday I met some Yale law students from the hostel on the beach. There was a swimming marathon that day, and canopied skiffs crowded the bay, escorting or observing the long-distance swimmers. Under the sun flag and in such numbers they made Ohrid look like a Cantonese port.

On Thursday I hitchiked out to Struga on the lake’s other side, and then into the wooded mountains to Dobar on a dam-formed lake. The scenery was beautiful. I looked around and then followed the highway out of town until it came to the dam. A man was sitting there on a guardrail, and I asked him with hands and place-names if the bus to Struga stopped there. It did, so I sat down to wait. A beaten old car pulled up and let out three men. They talked with the seated man, and then one of them told me, “No auto! No bus!” Another started pawing at my bag. I asked him what he was doing. “He wants to see what’s in your bag.”

“Well, he can’t. I’ll just auto-stop. Hey cut it out,” I said, stepping back from clutching hands. “What do you mean what’s in my bag?” I looked the highwayman over: old with white in his thick black beard, but brawny. He had the sleeves of his denim shirt rolled back to show tatoos. A scowl turned the crow’s feet around his glare-proof eyes into spiderwebs. He looked like a Nantucket whaling captain, and not at all like anyone who should be checking my bag.

I remembered a story of T.E. Lawrence. Lawrence was crossing the desert with a few bodyguards and a load of British gold for the Arab cause when a gang of Bedu tribesmen sprang from the dunes and surrounded his small company. They made small talk, but their formation, wandering eyes, and cocked rifles made obvious their illicit intent. Lawrence acted promptly, sticking his camel prod in the leader’s face and asking him if his name was an obscenity. So taken aback was the robber-sheikh by this brazen display that he barely moved as Lawrence rode off.

I didn’t know any Macedonian insults, but I knew a few in English. “I don’t have anything. I have a book,” and I pulled it halfway out of the pouch to prove it. “You want Moby Dick you illiterate asshole?” With that I spun around and walked across the dam, with an even pace and proud posture. I was very angry at such a bold attempt to steal my property. Up until then, I had never thought of wearing the money belt I brought, and walked around with my passport and iPod hanging out of my pocket, height and caution my only security. In Macedonia, that suddenly changed.

At the end of the dam, I looked back. Though his gang had dispersed, Captain Ahab was still standing there in the road with his hands on his hips, a sillhoutte of rage, as angry as I was that his attempted intimidation had been rebuffed. I continued up the road as it circled the lake until a man picked me up. We stopped at a roadside fountain for water, and I felt better. But still hungry.